Bottega Michelangeli: Making Magic from Wood in Orvieto
It doesn’t hit you over the head, so much as sneak up on you from behind. You see a quirky bench adorned with the relief of a rooster or cat, a rustic Pinocchio with a nose so long that wooden birds are using it as a handy perch, a two-dimensional tree with leaves applied in layers three deep to give the foliage more depth and you slowly realize that these works of art these must have all been made by the same hand….or, at very least, the same woodworking shop.
Indeed, it takes just a few minutes of meandering the streets and shops of Orvieto to come upon the work of the Bottega Michelangeli wood atelier. Begun as a furniture-maker five generations ago, this workshop developed its now-famous two-dimensional, almost shadow puppet look under Gualverio Michelangeli in the mid-20th century, who departed from the stodgy furniture-making tradition begun by his family in 1789 to experiment with sculpture in pinewood. The style—a quirky yet pleasing blend of folk and contemporary art–is carried on in the work of his three daughters, Donatella, Simonetta e Raffaella, who were, like so many other children of artisans, raised in the shop and bred on family history and wood-shavings.
The atelier is housed in a former theater on the corner of Orvieto’s main Corso and Via Gualverio Michelangeli (thus is the pride the city has in one of its most famous local artists), in a former 19th century theater retrofitted to hold both the workshop and showrooms. Here there are samples of hand-finished furniture (the Bottega devotes much of its work to furnishing and décor), exquisite toys (dolls, marionettes, rocking horses), and what can only be described as art—linear angels, whimsical characters from mythology and fables, solemn birds and angels.
If you’re lucky, you may get a peek into the cavernous backroom, where their one-of-kind works are still hewn and assembled by hand. The dusty antique tools hanging on wall racks, the half-finished and abandoned projects leaning haphazardly in shadowy corners, the clean smell of fresh wood and sawdust, and the quiet concentration of the artisans bent over rough boards is evocative of the backstage that this theatrical space once was.
I prefer, however, to see Michelangeli’s pieces how they are meant to be seen: here and there about town. The odd shop sign, outdoor table, wall decoration…they pop out at you from the most unassuming corners of Orvieto (and some quite stately corners: the Town Hall and theater both are decorated with their pieces) and transform a walk through the streets into a treasure hunt of sorts.
Perhaps the best place to see the grandeur of Gualverio Michelangeli’s fantastical vision is the Montanucci Café on the main Corso. Step through the doors and into a fairy tale forest of trees and flowers, populated with woodland creatures and playful elves. Settle yourself at one of their tables and sample their signature sweet: bite-sized cones of smooth chocolate dubbed Pinocchio’s Nose. Between the chocolate and the whimsical surroundings, you’ll be hard-pressed to not feel somehow transported to a magical land.
A huge thank you to Toni DeBella of the fabulousOrvieto or Bust blog for her kind permission to use these photographs!